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cover The Dropped Hand

The Light Between, Wayne State University Press, forthcoming Feb. 2012

cover The Dropped Hand

The Dropped Hand, Marick Press, 2007

Escape Artist, BKMK Press, 2003

cover_Body & Field

Body & Field, Michigan State University Press, 1999

 

 

 

 

 

 

The Dropped Hand

 

In The Dropped Hand, Terry Blackhawk masterfully weaves threads of loss and grief into a fine tapestry that is both personal and universal.This is, I think, Dr. Blackhawk’s finest and most moving collection. —Naomi Long Madgett

 

I love the poetry of Terry Blackhawk, above all else, for its heart, always searching for “something bursting with spring and belief.” Through the poems in The Dropped Hand she teaches us both how to hold on and how to let go of those we love. These compassionate poems reach out through the complex world to find the connections that sustain us. She celebrates our exposed places, the places where we are most vulnerable and most human. We so often cover up those places — it takes a magician like Terry Blackhawk to reveal to us what was there all along. —Jim Daniels

 

 

Escape Artist

 

Winner - 2002 the John Ciardi Prize for Poetry

 

"Terry Blackhawk’s poems, crisp as the first apples of autumn, are tart, knowing, and full of the growth of summer. Poems like these can sustain you." —Molly Peacock, 2002 Judge, the John Ciardi prize

 

“A mortal pressure, a dream of escape--Terry Blackhawk is writing for her life in her fine new book of departures and returns, flights and transformations”. —Edward Hirsch

 

 

Body & Field

"Poem after poem in her aptly titled Body & Field, Terry Blackhawk authenticates her immediate and richly imagined world with sensuous language and an intelligence that probes as often as it discerns. These are poems of a large spirit. I love the sensibility behind them, the eros in them, and the precision of their execution."Stephen Dunn

Terry Blackhawk's exquisite first book of poems is one of the reasons why poetry remains an important literary force in a world where so much language is reduced to sound bites, voice overs and the collapsed linguistic short-hand of ad copy. . . . It is her astonishing diversity of subject and brilliance of metaphor that sets this first book of poems apart. Anne-Marie Oomen Foreword